In the countryIn the country Year: 1970
Technique: Tempera on thin cardboard
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 249

LandscapeLandscape Year: 1970
Technique: Watercolours on thin cardboard
Dimensions: 13x9.45 inc (33x24 cm)
Progressive number of the 2010 catalog 242

Seaside holidaySeaside holiday Year: 1970
Technique: Tempera on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 236

The sailing ship VoskaThe sailing ship Voska Year: 1970
Technique: Tempera on thin cardboard
Dimensions: 13.4x9.45 inc (32x24 cm
Progressive number of the 2010 catalog 234

Still lifeStill life Year: 1970
Technique: Wax crayons on red paper
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 223

HareHare Year: 1970
Technique: Tempera su thin cardboard
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 222

Christ on the crossChrist on the cross Year: 1969
Technique: Tempera on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 255

Rural landscapeRural landscape Year: 1969
Technique: Tempera on thin cardboard
Dimensions: 13.8x9.45 inc (35x24 cm)
Progressive number of the 2010 catalog 250

AuroraAurora Year: 1969
Technique: Tempera on thin cardboard
Dimensions: 11.4x8.3 inc (29x21 cm)
Progressive number of the 2010 catalog 244

My first drawingMy first drawing Year: 1963
Technique: Crayon on edition 1940 paper
Dimensions: 11x7.5 inc (28x19 cm)
Progressive number of the 2010 catalog 258

In the countryIn the country
Year: 1970
Technique: Tempera on thin cardboard
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 249

LandscapeLandscape
Year: 1970
Technique: Watercolours on thin cardboard
Dimensions: 13x9.45 inc (33x24 cm)
Progressive number of the 2010 catalog 242

Seaside holidaySeaside holiday
Year: 1970
Technique: Tempera on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 236

The sailing ship VoskaThe sailing ship Voska
Year: 1970
Technique: Tempera on thin cardboard
Dimensions: 13.4x9.45 inc (32x24 cm
Progressive number of the 2010 catalog 234

Still lifeStill life
Year: 1970
Technique: Wax crayons on red paper
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 223

HareHare
Year: 1970
Technique: Tempera su thin cardboard
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 222

Christ on the crossChrist on the cross
Year: 1969
Technique: Tempera on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 255

Rural landscapeRural landscape
Year: 1969
Technique: Tempera on thin cardboard
Dimensions: 13.8x9.45 inc (35x24 cm)
Progressive number of the 2010 catalog 250

AuroraAurora
Year: 1969
Technique: Tempera on thin cardboard
Dimensions: 11.4x8.3 inc (29x21 cm)
Progressive number of the 2010 catalog 244

My first drawingMy first drawing
Year: 1963
Technique: Crayon on edition 1940 paper
Dimensions: 11x7.5 inc (28x19 cm)
Progressive number of the 2010 catalog 258

In the countryYear: 1970
Technique: Tempera on thin cardboard
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 249
LandscapeYear: 1970
Technique: Watercolours on thin cardboard
Dimensions: 13x9.45 inc (33x24 cm)
Progressive number of the 2010 catalog 242
Seaside holidayYear: 1970
Technique: Tempera on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 236
The sailing ship VoskaYear: 1970
Technique: Tempera on thin cardboard
Dimensions: 13.4x9.45 inc (32x24 cm
Progressive number of the 2010 catalog 234
Still lifeYear: 1970
Technique: Wax crayons on red paper
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 223
HareYear: 1970
Technique: Tempera su thin cardboard
Dimensions: 12.6x9.45 inc (32x24 cm)
Progressive number of the 2010 catalog 222
Christ on the crossYear: 1969
Technique: Tempera on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 255
Rural landscapeYear: 1969
Technique: Tempera on thin cardboard
Dimensions: 13.8x9.45 inc (35x24 cm)
Progressive number of the 2010 catalog 250
AuroraYear: 1969
Technique: Tempera on thin cardboard
Dimensions: 11.4x8.3 inc (29x21 cm)
Progressive number of the 2010 catalog 244
My first drawingYear: 1963
Technique: Crayon on edition 1940 paper
Dimensions: 11x7.5 inc (28x19 cm)
Progressive number of the 2010 catalog 258
… bold lines without hesitations and with a solid figurative structure.
… bold lines without hesitations and with a solid figurative structure.
Instinctive desire to draw and paint in the early works of Graziano Lauzana
Rather than an artistic theme, this is a brief collection of Graziano Lauzana’s early paintings from his student days, redolent of instinct, desire and spontaneity.
“I was destined to become a painter, the path was already predetermined”. This is how the artist describes his instinctive desire to draw and paint, and “within a short time I found myself spending all my time surrounded by colours, pencils, paper and tempera, persistently searching for perfection”.
Thereafter, Lauzana perfected his vocation at the Art Institute in Udine, and was awarded a diploma as “Master of Art”. His early works from the “school period” demonstrate his determination to master a variety of techniques (acrylics, tempera, water-colours and mixed techniques on fresh plaster) in order to improve his range of expression, experimenting with colour combinations, the relationship between the subject and the background, chiaroscuro, perspective and depth of field.
Together with the natural scope of his interests, we can appreciate the fresh spontaneity of his lines and colours, which are in effect the precursors of what was to become his stylistic approach as an adult.
Thematics
Lauzana has always depicted a wide range of subjects, constantly extending his modus operandi, painting according to his whim, frequently changing the perspective from which he interprets the flowing forms and phenomena, adapting his research to a growing number of inner sensations and situations.
Thus, he is able to appreciate the more grotesque aspects with gentle irony, the profoundness of spirituality with a sincere fascination, the human physiognomy with interpretative skill, the primigenial vibrancy of the animal kingdom and the morphological and chromatic richness of the vegetable kingdom.
