Beat generationBeat generation
Technique: Ball-point pen on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 154

The hysterical womanThe hysterical woman
Year: 2004
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 288

The lustfulThe lustful
Year: 2003
Technique: Reproduction on paper
Dimensions: 5.1x7.5 inc (13x19 cm)
Progressive number of the 2010 catalog 292

The hubrisThe hubris
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 290

The avaricious in animal versionThe avaricious in animal version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 286

The greedy in animal versionThe greedy in animal version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 284

The wrathful in human versionThe wrathful in human version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 282

The wrathful in animal versionThe wrathful in animal version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 4.72x6.7 inc (12x17 cm)
Progressive number of the 2010 catalog 281

The avaricious in human versionThe avaricious in human version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 280

The greedy in human versionThe greedy in human version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 277

The vicesThe vices
Year: 1992
Technique: Crayon on thin cardboard
Dimensions: 13x19.7 inc (33x50 cm)
Progressive number of the 2010 catalog 32

Beat generationTechnique: Ball-point pen on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 154
The hysterical womanYear: 2004
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 288
The lustfulYear: 2003
Technique: Reproduction on paper
Dimensions: 5.1x7.5 inc (13x19 cm)
Progressive number of the 2010 catalog 292
The hubrisYear: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 290
The avaricious in animal versionYear: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 286
The greedy in animal versionYear: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 284
The wrathful in human versionYear: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 282
The wrathful in animal versionYear: 2003
Technique: Reproduction on thin cardboard
Dimensions: 4.72x6.7 inc (12x17 cm)
Progressive number of the 2010 catalog 281
The avaricious in human versionYear: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 280
The greedy in human versionYear: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 277
Beat generationBeat generation
Technique: Ball-point pen on thin cardboard
Dimensions: 9.45x13.4 inc (24x34 cm)
Progressive number of the 2010 catalog 154

The hysterical womanThe hysterical woman
Year: 2004
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 288

The lustfulThe lustful
Year: 2003
Technique: Reproduction on paper
Dimensions: 5.1x7.5 inc (13x19 cm)
Progressive number of the 2010 catalog 292

The hubrisThe hubris
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 290

The avaricious in animal versionThe avaricious in animal version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 286

The greedy in animal versionThe greedy in animal version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 284

The wrathful in human versionThe wrathful in human version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 282

The wrathful in animal versionThe wrathful in animal version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 4.72x6.7 inc (12x17 cm)
Progressive number of the 2010 catalog 281

The avaricious in human versionThe avaricious in human version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 280

The greedy in human versionThe greedy in human version
Year: 2003
Technique: Reproduction on thin cardboard
Dimensions: 5.9x8.3 inc (15x21 cm)
Progressive number of the 2010 catalog 277

The vicesThe vices
Year: 1992
Technique: Crayon on thin cardboard
Dimensions: 13x19.7 inc (33x50 cm)
Progressive number of the 2010 catalog 32

Cheerful painting does not exist. Light-hearted and paradoxical painting exists.
Cheerful painting does not exist. Light-hearted and paradoxical painting exists.
Graziano Lauzana’s “idealized portraits”: somewhere between dreams and reality, fable and parody
According to Vittorio Sgarbi, “Cheerful painting does not exist. Light-hearted and paradoxical painting exists”.
Graziano Lauzana’s “idealized portraits”, too, lie somewhere between dreams and reality, fable and parody. With apparent irony, the painter captures the subtle truth of reality, that which may remain hidden behind his “serious” changing mercurial expressions.
Thematics
Lauzana has always depicted a wide range of subjects, constantly extending his modus operandi, painting according to his whim, frequently changing the perspective from which he interprets the flowing forms and phenomena, adapting his research to a growing number of inner sensations and situations.
Thus, he is able to appreciate the more grotesque aspects with gentle irony, the profoundness of spirituality with a sincere fascination, the human physiognomy with interpretative skill, the primigenial vibrancy of the animal kingdom and the morphological and chromatic richness of the vegetable kingdom.



