Show jumpingShow jumping
Year: 1972
Technique: Ball-point pen on paper
Dimensions: 6.7x9.45 inc (17x24 cm)
Progressive number of the 2010 catalog 126
High jumpHigh jump
Year: 1971
Technique: Ball-point pen on paper
Dimensions: 7.1x9.45 inc (18x24 cm)
Progressive number of the 2010 catalog 171
Javelin throwJavelin throw
Year: 1971
Technique: Ball-point pen on paper
Dimensions: 7.1x9.45 inc (18x24 cm)
Progressive number of the 2010 catalog 169
Pole vaultPole vault
Year: 1971
Technique: Ball-point pen on paper
Dimensions: 7.1x9.45 inc (18x24 cm)
Progressive number of the 2010 catalog 168
AthleticsAthletics
Year: 1971
Technique: Ball-point pen on paper
Dimensions: 6.7x8.3 inc (17x21 cm)
Progressive number of the 2010 catalog 150
MarathonMarathon
Year: 1971
Technique: Ball-point pen on paper
Dimensions: 6.7x9.45 inc (17x24 cm)
Progressive number of the 2010 catalog 113
BoxerBoxer
Year: 1971
Technique: Ball-point pen on paper
Dimensions: 6.7x9.45 inc (17x24 cm)
Progressive number of the 2010 catalog 83
Show jumpingYear: 1972
Technique: Ball-point pen on paper
Dimensions: 6.7x9.45 inc (17x24 cm)
Progressive number of the 2010 catalog 126
High jumpYear: 1971
Technique: Ball-point pen on paper
Dimensions: 7.1x9.45 inc (18x24 cm)
Progressive number of the 2010 catalog 171
Javelin throwYear: 1971
Technique: Ball-point pen on paper
Dimensions: 7.1x9.45 inc (18x24 cm)
Progressive number of the 2010 catalog 169
Pole vaultYear: 1971
Technique: Ball-point pen on paper
Dimensions: 7.1x9.45 inc (18x24 cm)
Progressive number of the 2010 catalog 168
AthleticsYear: 1971
Technique: Ball-point pen on paper
Dimensions: 6.7x8.3 inc (17x21 cm)
Progressive number of the 2010 catalog 150
MarathonYear: 1971
Technique: Ball-point pen on paper
Dimensions: 6.7x9.45 inc (17x24 cm)
Progressive number of the 2010 catalog 113
BoxerYear: 1971
Technique: Ball-point pen on paper
Dimensions: 6.7x9.45 inc (17x24 cm)
Progressive number of the 2010 catalog 83
Sporting caricatures: the forceful dynamicity which absorbs even the intentions of the caricature
This form appears to captivate the artist to the point of affecting his brushstrokes, which become, rapid, tense and impatient.
The background fades away, and the entire scene is taken up by the exaggerated dynamicity of the subjects “in action”, which in many cases takes up the entire intention of the caricature.
